Through a wide range of activities, Renée Fleming works to affirm the importance of the arts, partnering with artists, scientists, not-for-profit organizations, and educators to demonstrate the benefits of music and the arts for our health, community, and culture.
Across the country, in leadership positions and advisory relationships, Renée Fleming guides the work of major arts institutions, encourages the creation of new work, and mentors young singers beginning their careers.
Renée leads a new program for young singers at Carnegie Hall. Designed to renew and refresh the presentation and experience of the vocal recital, SongStudio brings leading musicians and other performing artists together to mentor emerging singers and collaborative pianists, exploring innovative approaches to both classic and current song repertoire, and inviting new audiences to engage with the art form.
Carnegie Hall
New York City
Renée Fleming in recital with Harmut Höll, Piano
Palau de La Musica
Barcelona
Renée Fleming in recital with Hartmut Höll, piano
Concertgebouw
Amsterdam
Renée Fleming in recital with Hartmut Höll, piano
Grand-Théâtre de Bordeaux
Bordeaux
Orchestre de Paris, Jaap Van Zweden - Renée Fleming - Britten, Barber, Schubert, Beethoven
Grande Salle Pierre Boulez - Philharmonie
Paris
Renée sings the classic Hollywood song "You'll Never Know" on Alexandre Desplat's Oscar-winning soundtrack for the 2018 Best Picture winner, The Shape of Water.
All VideosRenée's recording of "The Last Rose of Summer" is featured in the opening credits and soundtrack of Oscar nominee Three Billboards Outside Ebbing, Missouri
Renée sings for the nationally-televised 2018 Independence Day Concert on the West Lawn of the US Capitol.
Renée is heard as the singing voice of Roxane, Julianne Moore's American diva embroiled in a hostage crisis, in the film of Ann Patchett's best-selling novel
The great American soprano Renée Fleming shows with this ambitious album that she is far from renouncing musical frolics. True, there’s quintessential Fleming repertoire on it — a gorgeous performance of Samuel Barber’s Knoxville: Summer of 1915 — but Fleming also presents a new orchestral song cycle written especially for her: The Strand Settings, by the Swedish composer Anders Hillborg. Then there are three songs by Björk. No tame excursions into crossover, these, but superbly reimagined arrangements. The Times of London
