Through a wide range of activities, Renée Fleming works to affirm the importance of the arts, partnering with artists, scientists, not-for-profit organizations, and educators to demonstrate the benefits of music and the arts for our health, community, and culture.
Across the country, in leadership positions and advisory relationships, Renée Fleming guides the work of major arts institutions, encourages the creation of new work, and mentors young singers beginning their careers.
A partly spoken, partly sung performance piece based on the ancient Greek tragedy of Helen by Euripides, commissioned from the poet, essayist, and scholar Anne Carson, written for actor Ben Whishaw and soprano Renée Fleming, staged by director Katie Mitchell, with music by composer Paul Clark.
The Shed
New York City
The Sandler Center Foundation and Virginia Arts Festival welcome Renée Fleming back to Hampton Roads for a recital with pianist Gerald Martin Moore
The Sandler Center
Virginia Beach, VA
State Theatre New Jersey
New Brunswick, NJ
Staller Center for the Arts
Stony Brook, NY
Renée joins Andris Nelsons and the BSO in the gorgeous and touching final scene from Richard Strauss's opera Capriccio. The opera's opening Sextet for Strings and luminous Moonlight Music will precede the vocal scene. On the second half is the composer's Also sprach Zarathustra.
Symphony Hall
Boston, MA
Renée sings the classic Hollywood song "You'll Never Know" on Alexandre Desplat's Oscar-winning soundtrack for the 2018 Best Picture winner, The Shape of Water.
All VideosRenée's recording of "The Last Rose of Summer" is featured in the opening credits and soundtrack of Oscar nominee Three Billboards Outside Ebbing, Missouri
Renée sings for the nationally-televised 2018 Independence Day Concert on the West Lawn of the US Capitol.
Renée is heard as the singing voice of Roxane, Julianne Moore's American diva embroiled in a hostage crisis, in the film of Ann Patchett's best-selling novel
The great American soprano Renée Fleming shows with this ambitious album that she is far from renouncing musical frolics. True, there’s quintessential Fleming repertoire on it — a gorgeous performance of Samuel Barber’s Knoxville: Summer of 1915 — but Fleming also presents a new orchestral song cycle written especially for her: The Strand Settings, by the Swedish composer Anders Hillborg. Then there are three songs by Björk. No tame excursions into crossover, these, but superbly reimagined arrangements. The Times of London
