Mozart’s Così fan tutte: judging by the audience’s enthusiastic response, Renée Fleming hit a bullseye.
Aspen Times | Jul 23, 2025 Harvey Steiman
"I look for mastery of skills, artistry, artistic imagination, a certain curiosity about repertoire. Obviously, the instrument is important as well. I try to be honest in a master class setting and convey what I really think, but with kindness, with respect.."
August 14, 2025 by Maria-Cristina Necula in Woman Around Town
"For me, the highlight of the
evening was ...’Twilight and
Shadow,’ from The Lord of the Rings: Return of the King. The song ...floated serenely and made a perfect fit with Fleming’s creamy sound. It should: it was written for her to sing for the 2003 film’s soundtrack."
Harvey Steinman, Seen and Heard International, December 2, 2024
John Adams’ “Nixon in China,” a 1987 work among the most acclaimed American operas, received its Paris Opera premiere on Saturday night to eight minutes of applause following a revelatory production by Argentine director Valentina Carrasco that replaced literalism with metaphor.
AP, by Ronald Blum, March 27, 2023
‘The Hours,’ in Its
Latest Adaptation,
Is a Stunning Triumph
for the Met
Daniel D'Addario, Variety, December 1, 2022
"With its twist of silk and cream, her voice has always been perfectly cut for Straussian cloth. What has developed over time, however, is a separate layer of artistry. Fleming’s Madeleine was a mini-marvel"
Neil Fisher, The Times (London), April 25, 2022
"Fleming’s voice floats and blooms with its customary beauty.
Yannick Nézet-Séguin’s
piano playing flickers like starlight"
The New Yorker
Renée Fleming returns to the Houston Symphony in triumph
Houston Chronicle
Powerful, poignant Renee Fleming brightens ‘The Light in the Piazza’
Chicago Sun-TImes